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“Antaranga” — set in a modern and contemporary gallery in front of Sam Gilliam’s drape painting “Carousel State” — was strikingly modern, with Satpathy walking in like any other museum visitor, dressed in contemporary clothing and without the customary bells around her ankles.

“Antaranga” and “Taru” were the responses of this superlative dancer and choreographer to the stimuli of the Met, her art enhanced by the museum’s and vice versa.