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Yet L.A. and its fires, the Ukraine war, even Hollywood, haunt “Appalachian Spring.”

“Appalachian Spring” was, for Copland, that restoration, but a rebuilding in an entirely new spirit.

But it was the certain quietude of “Appalachian Spring” that seemed to beg us to let artists and architects, environmentalists and permaculturists, first be invited to provide a vision.

Only then can we begin to propagate an “Appalachian Spring” rejuvenation of our fire-scorched winter.

A screening with the score performed live, followed by “Appalachian Spring” danced live, could be exactly the statement L.A. now needs.