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Legend: I have this song called “Safe,” and there’s this one moment when I do this run and Sufjan has this arpeggio going the opposite direction.

When Berry implored the band to rock out again, the group switched gears and made 1994’s “Monster,” in which Buck ditches his arpeggios for power chords run through a distortion pedal.

Her voice sails over choppy piano chords as she announces her “big feelings,” and when she sings, “Yes, I have problems, problems,” she turns “problems” into a six-syllable arpeggio.

The strings’ opening melody in the Rachmaninoff had Romantic grandeur and beguiling translucence, blanketing but not muffling the piano’s arpeggios with gauzy tone.

Quasi-Baroque keyboard arpeggios pace a track that holds back, recognizes that “Time doesn’t stop for a sad little girl” and surges as she decides, “This time I think I’m found.”