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Rousseau was a member of the Barbizon school of painters, who embraced naturalism in art.

Mr. Barringer bristles at the use of the name Hudson River School, which was first coined in the mid-1870s, as the works of Cole, Durand, Church and others began to lose popularity to the Barbizon school of painting.

In attempting to reconfigure Ana as a rising star of the publishing world, he saps her of her awkwardness, rendering her suddenly, absurdly, blandly poised, as if she’d got her degree from the Barbizon School rather than Washington State University.

In his 20s he began painting landscapes in the forest of Fontainebleau, where an earlier generation of French artists — Camille Corot, Théodore Rousseau, Charles Daubigny, and the other members of the Barbizon school — began to imbue landscape painting with greater subjectivity.

Daubigny was born in Paris in 1817, about a generation before van Gogh, and was a member of the Barbizon school of landscape painters, which also included Jean-François Millet and Théodore Rousseau.