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Although Saxon has dedicated his life to practical visual wizardry, he believes CG has been too harshly maligned and that there’s a place for both the material and digital worlds to coexist.

The Tejon tribe, he writes, is among hundreds of Indigenous nations that value and revere the grizzly, and are leading efforts to conserve and coexist with the species.

They melded into each other, their strengths coexisting.

They could all coexist in the same swirl of chaos — belief over logic, loyalty over evidence, vibes over value — what Rush Limbaugh used to call a “phony-baloney plastic banana good-time rock-and-roll” kind of thing.

The film and her lilting performance in it show how grief can coexist with a kind of grace — a peace with the unknowability of what lies beyond.