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Go tentpole-wide with “All superheroes wear masks,” or hit the prestige note with something like “Drink to me only with thine eyes.”

American Ballet Theatre premiered Morris’s “Drink to Me Only With Thine Eyes” in 1988, and Taylor created “Company B” in 1991 for the Houston Ballet and his own company.

Then she accompanied Miss Goodacre, who sang “Drink to Me Only with Thine Eyes” in what I considered to be a completely indifferent voice, all the while emoting heavily in Harry’s direction.

The luminous Australian dancer Stephanie Williams relishes movement, as she deftly proved in Mark Morris’s “Drink to Me Only With Thine Eyes.”

And then there’s “Drink to Me Only With Thine Eyes,” a work that shows us — wonderfully — a postmodern view of ballet’s sexism.