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The G. Ray Hawkins Gallery had lasting impact in other ways, acting as a launchpad for several future gallerists, curators and photographers.

Christopher Bishop, a Manhattan gallerist who also owns Master Drawings New York, an art fair whose focus is works on paper, cannot say enough about the value of a conservator.

“I still continue to paint; I make paintings in my head. I now have limited energy which I need to conserve and cannot waste putting paint to canvas,” he once told art gallerist Dadiba Pundole.

Clark charges $450 for the materials, construction and installation; gallerists must curate their own box.

“Visual culture was really front and center,” the gallerist said.