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Pending the discovery of some unpublished juvenilia or yet another iteration of the penultimate “Road Show,” this is the last Sondheim musical we will ever have.

Like “A Bit of Previous,” last summers’ release, there is a growing presence of a more adult-aged character all throughout, taking precedence over the usual first-person journeys in juvenilia.

“He does not like his juvenilia recovered and made public so I don’t think he would like this out there,” he said.

Elements of his signature style already figure in this piece of juvenilia, including such epigrams as “Marriage nowadays is nothing but a temporary refuge for those who are uncomfortable at home.”

The text is a mammoth, unwieldy beast, as playwrights’ juvenilia often is.