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A choral workshop with amateur singers is also set for the festival's closing concert, Mendelssohn's Elijah.

The chorus has but a small part in Mendelssohn’s score but brought more magic.

Last week he returned with more of the same: a Mendelssohn overture, a Mozart piano concerto and a Beethoven symphony.

Levit wanted to record selections from Mendelssohn’s “Lieder Ohne Worte,” or “Songs Without �������t¶��s,” because, he has said, “there is a certain melancholy about them which really helped me a bit.”

He felt that if Levi had been born a few generations earlier, they “would be in the record store next to Mendelssohn or Stravinsky,” Larraín told me in 2016.