�������t¶��

��ö������� had read my stories on smugglers and corruption in Afghanistan.

In August 2018, I received an email from Tobias ��ö�������, a curator of Islamic Art, introducing himself and the marble.

��ö�������, a poised young man with the beardish scruff of a doctoral student, was waiting in a hallway near the museum entrance.

“There was a feeling of relief that this piece was finally repatriated,” ��ö�������, the curator, told me.

Not incidentally, many used top-tier texts by Eduard ��ö������� and Tennyson.