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He will stage a suite of dances from Petipa’s full-length “Paquita” that incorporates the “Minkus Pas de Trois,” Balanchine’s restaging of the ballet’s pas de trois.

The scene is from Marius Petipa’s “La Bayadère,” a ballet that premiered in St. Petersburg, Russia, in 1877.

But the video suggested that the company was still using some of his choreography, though his name had been removed from the production, a version of the 19th-century ballet by Marius Petipa.

Her work deploys physical ideas and images from Petipa, Balanchine, Merce Cunningham, Martha Graham, Erick Hawkins, Nijinsky and more, but shifts lightly among them.

So Petipa, working for the man with a direct line to the czar, was under a little pressure.