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There were moments of Travis Scott’s Saturday night closing set that were some of the most astounding pieces of stagecraft we saw at Coachella.

It was stagecraft and statecraft combined in a single moment, neatly pitched for the scenario the prime minister found himself in.

Lloyd modernizes the stagecraft, injecting avant-garde intrigue into what is ultimately a commercial enterprise.

After I praised the suppleness of her voice, LuPone exclaimed, “She has stagecraft!”

In terms of stagecraft, we’re back in “Cheers,” bar in the middle, entry at left, office at right — classic.